A review magazine for game music
Soundtracks worth the headphones.
Long-form reviews of overlooked video game OSTs — the 16-bit tone poems, the PS1 CD-audio experiments, the composers who never got a Metacritic page. Track listings we verified. Opinions we own.
Featured reviews
Hand-picked · updated weekly- NO ARTPlayStation · 1997Einhänder Original Soundtrack Review – A Techno‑Driven Flight Through 32‑Bit SpaceKenichiro Fukuifrom Einhänder
- NO ARTPlayStation · 1996PaRappa the Rapper – A Hip‑Hop Blueprint for Rhythm GamingMasaya Matsuurafrom PaRappa the Rapper
- NO ARTPlayStation · 1995Jumping Flash! (1995) Original Soundtrack ReviewTakeo Miratsufrom Jumping Flash!
- NO ARTPlayStation · 1999Vib‑Ribbon Soundtrack ReviewLaugh and Peace (vocals by Toshiyuki Kageyama, Koichi Hirota, Yoko Fujita)from Vib‑Ribbon
- NO ARTPlayStation · 1999Koudelka (Original Soundtrack) ReviewHiroki Kikutafrom Koudelka
- NO ARTPlayStation · 1996Tobal No. 1 (1996) – A Collaborative Experiment in 32‑bit Sound DesignVarious (Yasunori Mitsuda, Masashi Hamauzu, Kenji Ito, Junya Nakano, Yoko Shimomura, Yasuhiro Kawakami, Ryuji Sasai, Noriko Matsueda)from Tobal No. 1
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How we review
Every review starts with a verified track listing (Discogs, MusicBrainz, or the original release), a verified composer credit (Wikipedia / MobyGames), and at least two external sources. We listen, we take notes, we cite timestamps, and we score on our own 1–10 scale — which is editorial opinion, never aggregated from someone else's.